Book Multimedia

I began recording bands in 2003–2004 as part of Marchingsport.com, working under its founder, Gerard L. Howard. Long before social media became the default archive, I was already documenting moments, movements, and culture, quietly, consistently. That work earned recognition because it mattered, not because it was loud. Today, my visibility is lower by design. Reduced output does not mean reduced labor. I hold years of unreleased footage, history preserved, moments intact, memory uncorrupted by trend or urgency. Archiving is still work. Patience is still participation. I haven’t exited the field. I’m positioned. Stay alert. The record isn’t finished.

Description

I began recording bands in 2003–2004 as part of Marchingsport.com, working under its founder, Gerard L. Howard. Long before social media became the default archive, I was already documenting moments, movements, and culture, quietly, consistently. That work earned recognition because it mattered, not because it was loud. Today, my visibility is lower by design. Reduced output does not mean reduced labor. I hold years of unreleased footage, history preserved, moments intact, memory uncorrupted by trend or urgency. Archiving is still work. Patience is still participation. I haven’t exited the field. I’m positioned. Stay alert. The record isn’t finished.